Access at the Design Museum: July 2014.
The Access programme at the Design Museum offers its blind, visually impaired and deaf visitors the opportunity to explore the museum’s permanent collection or special exhibitions with highly skilled museum educators, providing detailed and engaging experience of the works on display. The Design Museum is the world’s leading museum devoted to contemporary architecture and design, pioneering new thinking in design through its programme of exhibitions, events and learning projects.
DESIGNS OF THE YEAR 2014.
Closes on 25th of August.
DESIGNS OF THE YEAR 2014 is an exhibition that offers viewers the opportunity to review the last year in Design. Celebrating the very best across seven design disciplines, nominees were placed in categories ranging from Architecture, Product, Fashion, Furniture, Graphics, Digital and Transport. On show are items like the CHILD CHEMO HOUSE, KOBE in the Architecture category, through to the XL1 CAR designed by Volkswagen in the Transport category. Within these are a variety of objects and products to learn about and be fascinated by.
“These show the best of design, from initiatives in technology or materials to design that helps make life easier, safer or more stimulating. Which is your favourite nominee?” – Gemma Curtin, Curator, DESIGNS OF THE YEAR 2014.
The show is displayed on the second floor of the museum and there is easy access for wheelchair users via a lift that takes you from the ground floor. You travel through various themes like Care, Situation, Delight, Thought and Connect, with a clear view of the display and various items that can be touched.
For this publication, we will take a brief look at just a few items on display.
CLEVER CAPS –
Designed by Claudio Patrick Vollers (Co-inventor & Designer) and Henry Suzuki (Co-inventor)
“Clever Caps are bottle caps which also work as building blocks. They can be collected and used on their own, but are also compatible with the world’s most popular building blocks. In this first commercial version, they were designed to fit PCO 1881 standard bottle necks, and include a tamper evident safety seal.” – Design Museum.
The Clever caps is fun, movable, changeable and adaptable. I see the younger visitors really enjoying this product.
THE SEABOARD GRAND –
Designed by Roland Lamb and Hong-Yeul Eom
“The Seaboard is a reinvention of the piano keyboard, re-imagining the keys as soft waves that enable continuous and discrete real-time, tactile control of sound through three-dimensional hand gestures. The design combines contemporary minimalism and traditional handcrafted quality.” – Design Museum.
I like this one particularly because of its multisensory feature, as you play the keys through soft, silicone surface and can hear the sound through several headphones. This redesign of the piano allows a more intuitive control of the sound experience.
XL1 CAR –
Designed by Volkswagen
“The Volkswagen XL1 becomes the world’s the most efficient liquid-fueled production car with an official combined cycle figure of 0.9 l/100 km (313 mpg) and an aerodynamic drag coefficient of 0.189. It requires only 8.4 PS to sustain a constant 100kph on a level surface in still air, a speed the car can reach from rest in 12.7 seconds.” – Design Museum.
The smooth curvaceous form and sleek lines around this car, and its aerodynamic shape, helps reduce drag and is equally good looking.
THE NEW CREMATORIUM AT THE WOODLAND CEMETERY –
Designed by Johan Cesling
“Built on an undulating terrain in a wild wood section of the Woodland Cemetery, the New Crematorium features exposed white concrete and white glazed bricks in a building which is at once robust and sensitive.” – Design Museum.
The organic features of this product lends itself to greater exploration. The colour and texture of the brick used matches the building materials.
PAUL SMITH SHOP FACADE –
Designed by 6a Architects.
“The cast iron used for this facade references London street furniture and creates a sharp contrast to the neighbouring Georgian townhouses. A sinuous pattern of interlocking circles puts an abstract spin on a classic Regency shape, while curved windows nod to the glass in nearby arcades.” – Design Museum.
Hidden in the facade is a Paul Smith drawing cast in the surface. This facade uses cast iron, a material with great thermic values.
Booking a tour:
To book a touch tour of this exhibition, please contact the access team via email at email@example.com or telephone 020 7148 6883.
View the Design Museum website at www.designmuseum.org
Next month, we will be reviewing LOUIS KHAN: THE POWER OF ARCHITECTURE, currently showing at the Design Museum.